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<!--Generated by Squarespace Site Server v5.0.0 (http://www.squarespace.com/) on Sat, 06 Sep 2008 04:49:52 GMT--><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"><title>news</title><subtitle>news</subtitle><id>http://www.blackwomyn.com/news/</id><link rel="alternate" type="application/xhtml+xml" href="http://www.blackwomyn.com/news/"/><link rel="self" type="application/atom+xml" href="http://www.blackwomyn.com/news/atom.xml"/><updated>2008-01-14T21:00:04Z</updated><generator uri="http://www.squarespace.com/" version="Squarespace Site Server v5.0.0 (http://www.squarespace.com/)">Squarespace</generator><entry><title>montreal haitian film festival review</title><id>http://www.blackwomyn.com/news/2008/1/14/montreal-haitian-film-festival-review.html</id><link rel="alternate" type="text/html" href="http://www.blackwomyn.com/news/2008/1/14/montreal-haitian-film-festival-review.html"/><author><name>superblackwomyn</name></author><published>2008-01-14T20:56:44Z</published><updated>2008-01-14T20:56:44Z</updated><content type="html" xml:lang="en-US"><![CDATA[<div class="blogpost_title"><a href="http://www.midnightpoutine.ca/film/2007/09/haitian_film_fest/">http://www.midnightpoutine.ca/film/2007/09/haitian_film_fest/</a></div><div class="blogpost_title"><a href="http://www.blackwomyn.com/film/2007/09/haitian_film_fest/"><u><font style="color: #0000ff" color="#0000ff">Haitian Film Fest</font></u></a></div><div class="blogpost_author">Posted by <a href="http://www.blackwomyn.com/author/mark"><u><font style="color: #0000ff" color="#0000ff">Mark</font></u></a> in <a title="More articles regarding Film" href="http://www.blackwomyn.com/film"><u><font style="color: #0000ff" color="#0000ff">Film</font></u></a></div><div class="blogpost_wrapper"><p><u><font style="color: #0000ff" color="#0000ff"><img style="width: 468px; height: 351px" alt="FailingHaiti1.jpg" src="http://www.midnightpoutine.ca/archives/FailingHaiti1.jpg" /><br /></font></u>The third year of the <a href="http://www.festivalfilmhaitien.com/"><u><font style="color: #0000ff" color="#0000ff">Montreal Haitian Film Festival</font></u></a> is in mid swing but it's not too late to view some of the finer films. This year there are multiple documentaries dedicated to the story of Haitian workers in the sugar industry. In fact one of the films, &quot;The Price of Sugar&quot;, directed by Paul Haney is narrated by screen legend Paul Newman. Canada is well represented as director Brian McKenna also directs a documentary based on the subject entitled &quot;Big Sugar&quot; which is more about the history of the industry itself. </p><p>But not all the films are about the subject. &quot;Failing Haiti&quot; by Rod Paul is about the American supported coup in 2004 against then president Jean-Bertrand Aristide. There will also be a tribute to well known Haitian actor Francois Latour who was murdered last year. The one that peaks my interest the most is by American director Ella Turenne. &quot;Woodshed&quot; is a semi-silent film where music and art do all the communicating. &quot;Amours, mensonges et consequences; Vers le sud&quot; is a film starring great British actress Charlotte Rampling with a story that partially takes place in Montreal. </p><p>Full schedule can be found <a href="http://www.festivalfilmhaitien.com/programme.html"><u><font style="color: #0000ff" color="#0000ff">here</font></u></a> and most films are in French or Creole with English subtitles.</p><p>Picture from: <a href="http://www.filmmakers.com/"><u><font style="color: #0000ff" color="#0000ff">Filmmakers Library</font></u></a></p></div>]]></content></entry><entry><title>Some '07 Apprearances!</title><id>http://www.blackwomyn.com/news/2008/1/9/some-07-apprearances.html</id><link rel="alternate" type="text/html" href="http://www.blackwomyn.com/news/2008/1/9/some-07-apprearances.html"/><author><name>superblackwomyn</name></author><published>2008-01-09T19:42:30Z</published><updated>2008-01-09T19:42:30Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>Art or Die ::&nbsp;October 07!!!<br />Blackout 10th Anniversary!&nbsp;</p><p>Wednesday, Ocotber 31, 2007 <br />7:00pm - 9:00 pm <br />Nuyorican Poets Cafe <br />236 East 3rd Street </p><p>*</p><p>New York University<br />Gallatin Writers in Progress<br />November 8, 2007<br />5:30 - 7:30 pm</p><p>Featuring<br />Bob Seidman <br />and<br />Ella Turenne</p><p>*<br /><br /><a href="http://www.reelsisters.org/">Reel Sisters Film Festival</a><br />NY Premiere of <em>woodshed</em><br />September 30, 2007<br />12:30 pm<br />Long Island University Performing Arts Center<br />Brooklyn, NY<br />(PS - That's Jessica Nyel Willis on the homepage!!)</p><p>*</p><p><a href="http://www.festivalfilmhaitien.com/">International Haitian Film Festival of Montreal</a><br />woodshed's international premiere!<br />Nominated for <a href="http://www.festivalfilmhaitien.com/jury.html">best short film</a>.</p><p>*</p><p><a href="http://www.roxburyfilmfestival.org/">Roxbury Film Festival</a><br />August 1-5, 2007<br />Boston, MA</p><p>*<br />Hollywood Black Film Festival for the world premiere of <a href="http://hollywoodblackff.bside.com/?mediaTab=filmDetails&_view=_filmdetails&filmId=21699273">woodshed</a>! June 9, 2007.</p><p>*<br />Celebrate National Poetry Month with Cave Canem<br />April 18, 2007<br />Cave Canem New York Workshop Poets<br />at McNally Robinson Booksellers<br />52 Prince Street<br />New York, New York 10012<br />7pm, FREE<br /><em>Reading by Monica A. Hand, Edward Toney and Ella Turenne, three Cave Canem workshop participants. </em></p>]]></content></entry><entry><title>this is what you missed!!</title><id>http://www.blackwomyn.com/news/2007/6/20/this-is-what-you-missed.html</id><link rel="alternate" type="text/html" href="http://www.blackwomyn.com/news/2007/6/20/this-is-what-you-missed.html"/><author><name>superblackwomyn</name></author><published>2007-06-20T02:51:17Z</published><updated>2007-06-20T02:51:17Z</updated><content type="html" xml:lang="en-US"><![CDATA[

<object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" width="424" height="360" id="dl_flvwidget" align="middle"><param name="movie" value="http://cdn.channel.aol.com/aolexd_widgets/aolwidget_9.swf" /><param name="FlashVars" value="settings=90177&pmms=1923224&previewImage=http://www.aolcdn.com/ch_bv/hollywoodblackfilmfestival.jpg&autoPlay=0" /><embed src="http://cdn.channel.aol.com/aolexd_widgets/aolwidget_9.swf" quality="high" bgcolor="#ffffff" width="424" height="360" name="dl_flvwidget" align="middle" allowScriptAccess="sameDomain" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer" FlashVars="settings=90177&pmms=1923224&previewImage=http://www.aolcdn.com/ch_bv/hollywoodblackfilmfestival.jpg&autoPlay=0" ></embed></object>]]></content></entry><entry><title>from a great friend, john k!</title><id>http://www.blackwomyn.com/news/2007/6/18/from-a-great-friend-john-k.html</id><link rel="alternate" type="text/html" href="http://www.blackwomyn.com/news/2007/6/18/from-a-great-friend-john-k.html"/><author><name>superblackwomyn</name></author><published>2007-06-18T13:04:49Z</published><updated>2007-06-18T13:04:49Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>&nbsp;</p><p><a href="http://jstheater.blogspot.com/2007/06/ramblings-ella-turennes-woodshed.html">http://jstheater.blogspot.com/2007/06/ramblings-ella-turennes-woodshed.html</a></p><p>&nbsp;</p><h3 class="post-title">Ramblings + Ella Turenne's Woodshed + Toussaint + Elections Have Consequences </h3><p>&nbsp;</p><p>Blogging, slogging. Summer's bearish days haven't arrived yet, and every sentence already requires a battery charge. Well, every sentence I type on this blog. The quarter ends this week, and then I and the rest of the faculty will be bidding a number of undergraduates and graduate students farewell and best wishes on their futures. I'll save my congratulations for next week, but as with every year, I will be sad to see so many of the students depart, though I am always excited about the various paths they take or find themselves on once they leave the academic groves.<br /><br />+++<br /><br />From former students to former colleagues: one of my friends and former colleagues, the multitalented <span style="font-weight: bold">Ella Turenne</span>, will be premiering her first film, <a style="font-weight: bold" href="http://hollywoodblackff.bside.com/?_action=search&festivalId=21701389&keyword_operator=%3D&keyword_id=21699273&keyword=Woodshed"><span style="font-style: italic"><font style="color: #d6a0b6" color="#d6a0b6">Woodshed</font></span></a>, at the <a style="font-weight: bold" href="http://hollywoodblackff.bside.com/?tabArg=_profile&_view=_films"><font style="color: #d6a0b6" color="#d6a0b6">Hollywood Black Film Festiva</font></a>l. She was discussing making films back when we worked side by side about seven years ago, and has been working on this film with several of her close friends for five years. (I still walk around in the Soulfinite T-shirts she created back then.) Now it's done and will finally hit the big screen. Ella is one of those people who makes things happen; when I met her she was painting, writing and performing her poetry with the Blackout Collective, thinking about acting, and contemplating graduate school. She has since completed one grad degree, appeared in a play in NYC, and published a commemorative anthology in 2004 to mark the 200th anniversary of Haiti's independence (she's Haitian-American). Somehow, amidst all of these activities, she managed to complete her film, and when she's not teaching, she runs a program at a New York-area university. As one of my good friends always says, &quot;amazing!&quot; Congratulations, Ella, and I hope to catch the film as it makes its way around the country. If you are in Los Angeles this weekend, however, you'll be able to catch its debut.<br /><br />+++<br /><br />Ella and I discussed the recent news that <span style="font-weight: bold">Danny Glover</span> had received $18 million from Venezuelan President <span style="font-weight: bold">Hugo Chávez</span> to make a film about <span style="font-weight: bold">Toussaint L'Ouverture</span>. The news of Chávez's support impressed me, because a L'Ouverture film--and feature films in general about the Haitian Revolution--is long overdue, and independent Haiti provided Simon Bolívar, Chávez's avatar, with some of the resources he needed to liberate Gran Colombia. I told Ella that I'd checked out <a href="http://imdb.com/title/tt0785063/fullcredits#cast"><strong><font style="color: #d6a0b6" color="#d6a0b6">the film's IMDb.com page</font></strong></a>, and was surprised to see there did not appear to be many Haitians or Haitian-Americans involved with the film. Neither of the film's writers appear to be Haitian or Haitian-American, and none of the high-profile (and highly talented) Hollywood actors, like <span style="font-weight: bold">Don Cheadle, Angela Bassett, Mos Def, Chiwetel Ejiofor</span>, and <span style="font-weight: bold">Jonathan Rhys-Meyers</span>, who are &quot;rumored&quot; to be in the film, are either. I also heard that it will not be filmed in <span style="font-weight: bold">Haiti</span> or the neighboring <span style="font-weight: bold">Dominican Republic</span>, but in <span style="font-weight: bold">Venezuela</span>. I understand the problems of filming in Haiti (or DR, for that matter, where many, many Haitians live), but just think of the jobs (even temporary) that such a production would provide. But then again, who knows how things might turn out. There are many notable scholars of the Haitian Revolution (including several colleagues of mine), as well as Haitian and Haitian-American actors, writers, musicians, and so forth, so I hope some (many) of them will be part of this film as it develops.</p>]]></content></entry><entry><title>hollywood here i come!</title><id>http://www.blackwomyn.com/news/2007/4/13/hollywood-here-i-come.html</id><link rel="alternate" type="text/html" href="http://www.blackwomyn.com/news/2007/4/13/hollywood-here-i-come.html"/><author><name>superblackwomyn</name></author><published>2007-04-13T23:35:53Z</published><updated>2007-04-13T23:35:53Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-float-left"><img style="width: 144px; height: 102px" alt="HBFF_Official_Selection_logo_silver.jpg" src="http://www.blackwomyn.com/storage/HBFF_Official_Selection_logo_silver.jpg" /></span>well, it's official...<em>woodshed</em> has been accepted into the <a href="http://www.blackwomyn.com/www.hbff.org">hollywood black film festival</a>!&nbsp; </p><p>&nbsp;</p><p>&nbsp;</p><p>&nbsp;</p><p><span class="full-image-float-left"><img style="width: 330px; height: 510px" alt="woodshed%20poster%20v2%20copy.jpg" src="http://www.blackwomyn.com/storage/woodshed%20poster%20v2%20copy.jpg?__SQUARESPACE_CACHEVERSION=1179819685765" /></span>i've been working on this film for about 5 or 6 years.&nbsp; i can't believe it's actiually done.&nbsp; this is such an amazing testiment to the work that so many people put in to make this work.&nbsp; jason, tureka, karamuu, jessica, pat, sanley, obed, ali, rachel and patricia, althea.&nbsp; you all are angels.</p><p>why did we decide to do woodshed?&nbsp; jason and i were auditioning and were frustrated about the roles that were available for actors of color.&nbsp; we thought to ourselves, we HAVE TO do our own thing.&nbsp; in comes tureka with this amazing script.&nbsp; something told me i just had to do it.&nbsp; its been a very bumpy ride, but all worth it.&nbsp; stay tuned for more!</p><p>&nbsp;</p><p>&nbsp;</p>]]></content></entry><entry><title>NAACP Awards!!</title><id>http://www.blackwomyn.com/news/2007/2/7/naacp-awards.html</id><link rel="alternate" type="text/html" href="http://www.blackwomyn.com/news/2007/2/7/naacp-awards.html"/><author><name>superblackwomyn</name></author><published>2007-02-07T06:44:05Z</published><updated>2007-02-07T06:44:05Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>Wow, can you believe it? <em>Check the Rhyme: An Anthology of Female Poets and Emcees</em> has been nominated for an NAACP Image Award (Marhc 2, 2007 - <a href="http://www.naacpimageawards.net/intro.html">http://www.naacpimageawards.net/intro.html</a>)! I have a poem in there, so please support this independant work (<a href="http://www.litnoirepublishing.com/books.htm">http://www.litnoirepublishing.com/books.htm</a>). Go DuEwa!&nbsp; We are in the company of greatness.&nbsp; It is&nbsp;truly a humbling feeling!</p><p><strong>Nominees, Outstanding Literary Work &ndash; Poetry: </strong></p><p>&ldquo;Celebrations: Rituals of Peace and Prayer&rdquo; &ndash; Maya Angelou (Random House Publishing Group) </p><p>&ldquo;Check the Rhyme: An Anthology of Female Poets &amp; Emcees&rdquo; &ndash; DuEwa M. Frazier, Editor (Lit Noire Publishing) </p><p>&ldquo;Hoops&rdquo; &ndash; Major Jackson (W.W. Norton) </p><p>&ldquo;Jazz&rdquo; &ndash; Walter Dean Myers (Holiday House) </p><p>&ldquo;We Speak Your Names&rdquo; &ndash; Pearl Cleage (Random House Publishing Group) </p><p style="text-align: left" align="left"><a href="http://bp3.blogger.com/_gmfF-ByWzl0/Rb9v4a_VMcI/AAAAAAAAAH0/_mE_wuDdB54/s1600-h/ChecktheRhyme.jpg"><img id="BLOGGER_PHOTO_ID_5025858724277072322" style="float: right; margin: 0px 0px 10px 10px; width: 119px; cursor: hand; height: 177px" alt="" src="http://bp3.blogger.com/_gmfF-ByWzl0/Rb9v4a_VMcI/AAAAAAAAAH0/_mE_wuDdB54/s320/ChecktheRhyme.jpg" /></a></p><p><a href="http://bp3.blogger.com/_gmfF-ByWzl0/Rb9v4a_VMcI/AAAAAAAAAH0/_mE_wuDdB54/s1600-h/ChecktheRhyme.jpg"></a></p>]]></content></entry><entry><title>Ella in Patrick Ulysse's "One More Try"</title><id>http://www.blackwomyn.com/news/2007/1/18/ella-in-patrick-ulysses-one-more-try.html</id><link rel="alternate" type="text/html" href="http://www.blackwomyn.com/news/2007/1/18/ella-in-patrick-ulysses-one-more-try.html"/><author><name>superblackwomyn</name></author><published>2007-01-18T07:17:07Z</published><updated>2007-01-18T07:17:07Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>One More Try by Patrick Ulysse</p><p><a href="http://www.imdb.com/title/tt0830194/">http://www.imdb.com/title/tt0830194/</a></p><p><span class="full-image-float-left"><img style="width: 180px; height: 181px" alt="one_more_try_poster_final_web.jpg.w180h181.jpg" src="http://www.unimixfilms.com/sitebuildercontent/sitebuilderpictures/.pond/one_more_try_poster_final_web.jpg.w180h181.jpg" /></span></p><p>&nbsp;</p><p>&nbsp;</p><p>&nbsp;</p><p>&nbsp;</p><p>&nbsp;</p><p>&nbsp;</p><p>&nbsp;</p><span style="font-size: 8pt; font-family: verdana; mso-bidi-font-size: 10.0pt">Cast: </span><p style="margin-bottom: 0pt"><span style="font-size: 8pt; color: black; font-family: verdana; mso-bidi-font-size: 12.0pt">Macc Plaise (JC) <br />Chantal Tuffet (Adrienne) <br />Fatima (Kathy) <br />Ella Turenne (Tanya) <br />Valence Thomas (Mike) <br />Maureen Aladin (Martine) <br />Stephane Alexandre (Marcus) <br />Sandra Metelus (Mirlande) <br />Kim Eltridge (Kathy's lover) <br />Zetwal (Student-Dancers) <br /><br />Frantz Louis as the Stuntman <br />Background <br />Guy Dorvilus, Obed Jean-Louis, Fedora Pierre-Daniel, <br />Romie Henry, Patricia Okoumou, Leslie Holder </span></p><p style="margin-bottom: 0pt">&nbsp;</p><span style="font-size: 8pt; color: black; font-family: verdana; mso-bidi-font-size: 12.0pt"><h2>Haitian-American Patrick Ulysse in 1st directing 'Try'</h2><div class="graydate">Friday, January 26</div><p>Read an article &quot;Haitian-American in 1st directing Try&quot; posted on the New York Daily News Jan 16, 2007, about Patrick Ulysse. Article written by Warren Woodberry Jr. </p><p>&nbsp;</p><p><table style="margin-bottom: 25px; width: 220px; margin-right: 15px; border: #808080 1px solid; text-align: right" cellspacing="0" cellpadding="0" bgcolor="#f5f5f5"><tbody><tr><td><img style="width: 220px; height: 314px" alt="" src="http://www.belfim.com/spa/_files/spa_bfmnews/pic_130.jpg" /> <div class="credit" style="padding-right: 3px; padding-left: 3px; padding-bottom: 3px; padding-top: 0px; text-align: right">&copy; NY Daily News</div><div class="caption" style="padding-right: 3px; padding-left: 3px; padding-bottom: 3px; padding-top: 5px">NY Daily News clip featuring Patrick Ulysse and Jaydee</div></td></tr></tbody></table></p><p>As posted on <a href="http://www.nydailynews.com/" target="_blank"><u><font style="color: #0000ff" color="#0000ff">http://www.nydailynews.com</font></u></a></p><p>Haitian-American in 1st directing 'Try'&nbsp;<br />&nbsp;<br />BY WARREN WOODBERRY JR.&nbsp;<br />&nbsp;<br />In the short time &quot;One More Try&quot; a ready-for-romance Adrienne finally meets her Mr. Right, but, to her dismay, her love interest, J.C., is engaged to another woman.<br />&quot;There's an unexpected plot twist,&quot; says the filmmaker Patrick Ulysse.</p><p>Up and coming filmmaker Ulysse, who lives in Bedford-Stuyvesant, defies traditional Haitian conservatism in his 15-minute short film, which will show during the African Diaspora Film Festival.</p><p>&quot;One More Try&quot; was shot with 10 actors in Queens Village, Crown Heights and other locations in the outer boroughs. </p><p>The short is actually a condensed version of a full-length feature movie script Ulysse said he hopes to produce in the future.</p><p>The film will be showcased in February as part of the film festival's &quot;Best of the Fest&quot; program at the Brooklyn Academy of Music. </p><p>But it will first be shown at the Jersey City Museum at 2:40 p.m. on Jan. 21.</p><p>&quot;It's a love story that any culture can relate to because in life, stuff happens,&quot; said Ulysse, 35, a Haitian-American.</p><p>Actor Macc Plaise plays the lead character, J.C., a physical education instructor who volunteers at a community center where he meets Adrienne, a dance instructor played by Chantel Tuffet.</p><p>J.C. finds himself seduced by Adrienne's wit and beauty, leaving him to contemplate not proceeding with marrying into what he knows will be an unhappy relationship.</p><p><table style="text-align: left"><tbody><tr><td>&nbsp;</td></tr></tbody></table></p><p>&quot;I wanted to create an opportunity for myself - the Haitian film industry is growing,&quot; Ulysse said of his film. &quot;Haitians I think are known as the poorest in the Western hemisphere, yet people fail to realize the richness of their culture.&quot;</p><p>Ulysse, who has appeared on such TV shows as &quot;Law and Order&quot; and &quot;Sex and the City,&quot; said Haitian parents often have great influence in their children's relationships. </p><p>But in &quot;One More Try,&quot; viewers will be exposed to a different side of Haitian life.</p><p>&quot;A lot of times parents will pick someone. It's not an official or arranged marriage but it happens at times,&quot; Ulysse said.</p><p>Using digital video, Ulysse shot his 15-minute short over six months after recruiting family and friends to create the low-budget film.</p><p>&quot;We used actors' homes and we were able to shoot it for hardly any money at all,&quot; said Ulysse. &quot;When you're not paying people, you have to wait till you get everybody's schedule on the same page.&quot;</p><p>&quot;It's been received rather well. People are always amazed,&quot; Ulysse said of his work, which has shown at several international film festivals since he finished editing last spring. &quot;Even in my culture they are surprised by the ending because of the conservative Haitian culture. They say, 'Wow, you went there?'&quot;</p><p>Ulysse shopped his production on the film festival circuit with help from fellow filmmaker Jaydee (who goes by a single name), a freelance production manager whose first cinematic feature, &quot;Closure&quot; played festivals in 2004.</p><p>&quot;We're honored to be considered because not all the films were picked for the Best of the African Diaspora Film Festival,&quot; Jaydee said.</p><p>For more information visit <a href="http://www.unimixfilms.com/" target="_blank"><u><font style="color: #0000ff" color="#0000ff">www.unimixfilms.com</font></u></a> </p><p>Originally published on January 18, 2007&nbsp;</p></span><span style="font-size: 8pt; font-family: verdana; mso-bidi-font-size: 12.0pt"><p>&nbsp;</p></span><p>&nbsp;</p>]]></content></entry><entry><title>Check the Rhyme Book Launch!</title><id>http://www.blackwomyn.com/news/2007/2/7/check-the-rhyme-book-launch.html</id><link rel="alternate" type="text/html" href="http://www.blackwomyn.com/news/2007/2/7/check-the-rhyme-book-launch.html"/><author><name>superblackwomyn</name></author><published>2006-08-07T06:50:11Z</published><updated>2006-08-07T06:50:11Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p>Tuesday, September 12 <span class="full-image-float-left"><img style="width: 250px; height: 188px" alt="check the rhyme.jpg" src="http://www.blackwomyn.com/storage/check%20the%20rhyme.jpg" /></span></p><p>8/31/06 Book Release Party for Check the Rhyme: An <a id="KonaLink2" onmouseover="adlinkMouseOver(event,this,2);" target="_top">Anthology </a>of Female Poets &amp; Emcees </p><p>by <a href="javascript:openWindow('http://midwestgirl.eponym.com/blog/cmd=view_user/username=midwestgirl',%20'info',%20450,%20600);">Midwest Girl </a>on Tue 12 <a id="KonaLink3" onmouseover="adlinkMouseOver(event,this,3);" target="_top">Sep </a>2006 01:44 AM EDT </p><p>I am so late with this write-up. You must forgive me, in addition to being a poet/publisher/events promoter, I am also a full-time teacher who just started back to school! I've sent out my thank you emails and am PLENTY greatful that I had a GREAT release party for <em>Check the Rhyme: An Anthology of Female Poets &amp; Emcees on Thursday, August 31, 2006 at NYC's The Bowery </em><a id="KonaLink4" onmouseover="adlinkMouseOver(event,this,4);" target="_top"><em>Poetry </em></a><em>Club! </em></p><p>Even though I promoted heavy: sending out press releases, emails on my Yahoo group, <a id="KonaLink5" onmouseover="adlinkMouseOver(event,this,5);" target="_top">newsletter </a>type emails, and mailed out postcards, I still wasn't sure what to expect in terms of turn-out for the event. Several of the anthologies contributors told me they would be there to perform and show support (some who live in other states). The week of, several of the poets cancelled due to various circumstances ,which I understood. So, I began to wonder what kind of show we would have. I knew I would perform, there were still a couple of poets who confirmed with me to show up...so I put it in God's hands that we'd have a nice event. </p><p>A week prior to the event, I put in an order at <strong>Cakeman Raven</strong>, the now famous <a id="KonaLink6" onmouseover="adlinkMouseOver(event,this,6);" target="_top">Brooklyn </a>, NY bakery, who creates beautiful, delictable (and expensive) for famous folk and regular folk (among Cakeman's clients are <a id="KonaLink7" onmouseover="adlinkMouseOver(event,this,7);" target="_top">Bill Cosby </a>and his wife Camille) is best known for <a id="KonaLink8" onmouseover="adlinkMouseOver(event,this,8);" target="_top">red velvet cake </a>. You know your girl, always doing something different, I order a pineapple-coconut cake with <a id="KonaLink9" onmouseover="adlinkMouseOver(event,this,9);" target="_top">cream cheese </a>icing for my supporters. </p>I really wanted this event to have a nice personal touch. In other words, no one wants to support you if they think you're all about: &quot;Come to my event, purchase the book and BE OUT!&quot; No, that is not my style. I wanted to entertain my event guests, serve them some delicious <a id="KonaLink10" onmouseover="adlinkMouseOver(event,this,10);" target="_top">dessert </a>and really share with them the love I have for poetry. And this love came through the <a id="KonaLink11" onmouseover="adlinkMouseOver(event,this,11);" target="_top">publishing </a>of my latest book, Check the Rhyme. <p>The day of the event, I had to work, so I knew I would have to hustle home to change, get a cab to take me to pick up the cake, and then take the cab to the Bowery so I could set up. A box of books, the cake, my personals, event fixings such as a table cloth, book stands and email list in tow, I was a &quot;one-woman-show&quot; (as my friend <strong>Okera Ras</strong> called me that night) ready for my close up. I chose not to dress up. I went with the casual look: jeans, colorful espadrilles, hair in curls, hoop earrings, and custom made <strong>Lit Noire Publishing</strong> T-shirt (courtesy of <a href="http://www.cafepress.com/litnoire">www.cafepress.com/litnoire </a>). </p><p>When I showed up at the Bowery, no one was there yet. This was around 5:20pm. So I was relieved that I had a little time to set up my book table, get myself relaxed and wait for everyone to show up. I was very, very excited to say the least! The manager at the Bowery greeted me, gave me a stern look when he let me know in a subtle way, to be mindful that my event didn't run over time (they had another event following mine beginning at 8pm sharp). Because I never like to overstay my welcome, anywhere, I really wanted to have a fun event in the hour and forty-five mintues I was alotted and leave plenty of time for mingling with my guests. </p><p>Shortly after I arrived, my friend <strong>DJ Fauzi</strong> showed up with all of his equipment. I was so glad to have some music there. Fauzi is unique, he can play anything but he specializes in Afro-beat or rather a fusion of old soul and afro beat. I asked him to play a nice mix including old school hip hop to set the tone for the event, in between artist performances. </p><p>Within twenty minutes of my arrival, more guests showed up. The poets who came out to perform were: <strong>Ellen Hagan</strong> (NYC), <strong>Deborah &quot;Collage: Grison</strong> (NJ), <strong>Letitia D. Ford</strong> (Atlanta, GA) and <strong>Ella Turenne </strong>(NYC). Doesn't sound like alot, but I must tell you ---- they rocked the house! Each poet had their own style. </p><p>Ellen Hagan is very petite, but a force to be reckoned with , she's a former HBO Def Poet who's delivery is powerful. Ellen is also an actress. Visit her website at <a href="http://www.ellenhagan.com/">www.ellenhagan.com </a>. </p><p>Ella Turenne reminded me of pure jazz, she just flowed with her rhymes. </p><p>Ella is a member of the Blackout Arts Collective. Visit her website at <a href="http://www.blackwomyn.com/">www.blackwomyn.com </a>. </p><p>Deborah Grison is hip hop, but smooth. She is from New Jersey and holds an MFA degree in Creative Writing from Sarah Lawrence College. </p><p>And Letitia D. Ford, who traveled all the way from GA to kick it with us, was great, surprising us by stating that &quot;this is my first time reading.&quot; </p><p>I was blown away by her willingness to get up there, and perform her work by memory - this being her first time. Deborah brought several of her friends to the event. Ellen brought her husband. Several guests found out about the event through newspapers or the Bowery's website. </p><p>Some friends/fellow artists such as Ngozi Vodita of <strong>Harriet's Alter Ego </strong><a href="http://www.myspace.com/harietsalterego">www.myspace.com/harietsalterego </a>and J.D. Guilford <a href="http://www.jdguilford.com/">www.jdguilford.com </a>showed up to support. I was really a great event. </p><p>After the performances we talked, signed books and took photos. </p><p>Everyone was so complimentary of the anthology's cover art and of the poetry performances. I served cake for the guests and shared hugs. It was really one of my better events! Thank you to the poets who came out, DJ Fauzi , my friends and OF COURSE to Bob Holman owner of <strong>The Bowery Poetry Club</strong>. </p><p>Since the event, I have gotten emails from folk asking me the next event is scheduled. I am receiving orders for the book from bookstores in other states, so everything is going well. I am pacing myself, so that I can really enjoy everything that is happening right now. </p><p>All the best, </p><p><strong>Dgirl </strong></p>]]></content></entry><entry><title>Interview from The Ripple Effect</title><id>http://www.blackwomyn.com/news/2006/7/7/interview-from-the-ripple-effect.html</id><link rel="alternate" type="text/html" href="http://www.blackwomyn.com/news/2006/7/7/interview-from-the-ripple-effect.html"/><author><name>superblackwomyn</name></author><published>2006-07-07T06:39:35Z</published><updated>2006-07-07T06:39:35Z</updated><content type="html" xml:lang="en-US"><![CDATA[<h3 style="text-align: center" align="center">Check out The RIP Effect: <a href="http://www.theripeffect.com/">www.theripeffect.com</a></h3><p style="text-align: center" align="center">&nbsp;</p><h3 style="text-align: center" align="center">Interview with uber artist Ella Turenne<br /><span class="full-image-float-left"><img style="width: 200px; height: 150px" alt="ella_small.jpg" src="http://www.blackwomyn.com/storage/ella_small.jpg" /></span></h3><p><strong>Industries: Theatre, film, modeling, writing, music, spoken word</strong> </p><p><strong>When did you decide to pursue your passion seriously?</strong><br />While I was living in Boston pursuing a master&rsquo;s in social work. I kept going to plays and exhibits, wishing it was me instead of the other artists. That&rsquo;s when I knew I couldn&rsquo;t escape art. It&rsquo;s been a part of me ever since I was born. </p><p><strong>What are you doing now to advance your career?</strong><br />Right now, I&rsquo;ve formed an artist collective and we are writing our own roles. I am also still auditioning and taking classes to hone in on my craft. </p><p><strong>Why is image important in entertainment?</strong><br />Well, I think when I started out I wasn&rsquo;t really thinking about image, I was more in tune with what my type was, especially doing theatre and film. That&rsquo;s the number one thing. You have to remember that it&rsquo;s a business, and businesses are all about selling a product. In the entertainment world, you are a product, and in order for you to be successful at selling YOU, you have to know what you are selling. </p><p><strong>What advice would you give to someone interested in pursuing their passion?</strong><br />Network like hell and don&rsquo;t give up if you want it bad. Eat it, live it&hellip;Make it as essential as breathing. </p><p>Visit Ella&rsquo;s website at: <a href="http://www.blackwomyn.com/display/admin/www.blackwomyn.com"><u><font style="color: #0000ff" color="#0000ff">www.blackwomyn.com</font></u></a> </p>]]></content></entry><entry><title>review of "come back to me"</title><id>http://www.blackwomyn.com/news/2007/6/7/review-of-come-back-to-me.html</id><link rel="alternate" type="text/html" href="http://www.blackwomyn.com/news/2007/6/7/review-of-come-back-to-me.html"/><author><name>superblackwomyn</name></author><published>2006-06-07T05:14:07Z</published><updated>2006-06-07T05:14:07Z</updated><content type="html" xml:lang="en-US"><![CDATA[<h3 class="post-title">from the brilliant john keene:</h3><p class="post-title"><a href="http://www.inblogs.net/jstheater/2006/07/come-back-to-me-fresh-fruit.html#noanchor">http://www.inblogs.net/jstheater/2006/07/come-back-to-me-fresh-fruit.html#noanchor</a></p><h3 class="post-title">Come Back to Me @ Fresh Fruit </h3><p>&nbsp;</p>There's always so much happening in the New York area that I often learn about events only after they've happened. Until I received an email from my friend, artist and cultural warrior <span style="font-weight: bold">Ella Turenne</span>, I hadn't realized that <a href="http://www.freshfruitfestival.com/"><span style="font-weight: bold"><font style="color: #dd6599" color="#dd6599">Fresh Fruit: The Fourth International Festival of Lesbian, Gay, Transgender Arts and Culture</font></span></a> was underway at a number of venues in lower Manhattan. The festival, comprising visual art exhibits, musical, dance and theater performances, staged readings, and films, began on July 10 and runs through this upcoming Sunday.<br /><br />Ella was performing in <span style="font-weight: bold">Jesse Cameron Alick</span>'s play <span style="font-weight: bold; font-style: italic">Come Back to Me</span>, a <a href="http://www.smokinword.org/"><span style="font-weight: bold"><font style="color: #dd6599" color="#dd6599">Smokin Word Production</font></span></a>, at the <span style="font-weight: bold">Collective Unconscious Theatre</span> on Church Street. <span style="font-weight: bold">Claudia Alick</span> directed it. One of my immediate thoughts at the end of the play was how wonderful it was to hear a writer trying to think through thematic complexities, and to see him try to dramatize them, even if I didn't think that the heavy philosophizing always worked. Come Back to Me tells the story of three siblings, a sister, <span style="font-weight: bold">Isis</span> (Kyana Brindle) and two brothers, the older <span style="font-weight: bold">Jude</span> (Jas Anderson) and <span style="font-weight: bold">Ryokan</span> (Marcus D. Harvey), who've reached a familial impasse, in part because of the brothers' dogmatic adherence to their religious beliefs. Jude is a devout Christian, while Ryokan is a Zen Buddhist, and Alick weaves stories, quotations and allusions from religious texts throughout the work, sometimes very skillfully. Isis serves as mediating link between them, striving to reconcile them after a five-year rift; she understands their limitations, and at one point suggests that their focused hardheadedness equals the literal psychological problems their mother has endured, though the analogy stretched too far, or at least wasn't well grounded. What she is willing to give them is what they badly crave, especially Ryokan, from each other, but are too proud, too obstinant, too wounded, too wedded to their ideological fixations to share: unconditional love. That both are ill presses the issue, leading to an ending I found too neat and almost pat; why couldn't the narrative end with the same sort of complexity the play offered throughout?<br /><br />In general, Alick's sharp and frequently humorous writing kept me as a viewer on my toes. Eschewing naturalism or straighforward realism, he drew from the toolkit of drama's history to knit together a lively text that was often unpredictable. Some of these techniques included actors announcing the scene titles to a Wilderesque moment where Turenne and Brindle, representing the citizenry of Sodom and Gomorrah, start posing questions of the audience, to choreopoem-style recitations in unison. Often the monologues were fresh and provocative, but sometimes they reach for more than they could truly handle, and in a few cases the monologues were simply boring. The interruptions of the forward-moving text were sometimes effective, sometimes less so, but usually jarring--and I think this is what the author wanted, to shake us out of our usual ways of thinking. Alick often dared to push his thoughts beyond conventions, which made me want to see the play again in order to catch some of what I know I missed, and to look out for more of his future work. <br /><br />The staging was at times ingenious, and the use of the stage space was one of the best aspects of the play. Using a minimum of props, the actors constantly reformatted the set, sometimes to moving effect. What they were able to accomplish with a single black bedsheet in particular impressed. The acting was very good; all of the actors convincingly inhabited their parts, showing skill with timing and sometimes tricky dialogues and monologues. One area that they really excelled in was their ability to make what could have been an inert device, chatting on the telephone, which played a central role in the narrative, frequently come alive. If even a few of the other events on the program approach this one in terms of its ambition and execution, this year's festival will definitely be a success.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.inblogs.net/images.php?image=http://photos1.blogger.com/blogger/2770/889/1600/IMG_4870.jpg"><img style="width: 320px; cursor: pointer; height: 240px" alt="" src="http://www.inblogs.net/images.php?image=http://photos1.blogger.com/blogger/2770/889/320/IMG_4870.jpg" /></a><br />Jen (Ella Turenne) and Ryokan (Marcus D. Harvey)<br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.inblogs.net/images.php?image=http://photos1.blogger.com/blogger/2770/889/1600/IMG_4876.jpg"><img style="width: 320px; cursor: pointer; height: 240px" alt="" src="http://www.inblogs.net/images.php?image=http://photos1.blogger.com/blogger/2770/889/320/IMG_4876.jpg" /></a><br />Turenne and Harvey<br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.inblogs.net/images.php?image=http://photos1.blogger.com/blogger/2770/889/1600/IMG_4880.jpg"><img style="width: 320px; cursor: pointer; height: 240px" alt="" src="http://www.inblogs.net/images.php?image=http://photos1.blogger.com/blogger/2770/889/320/IMG_4880.jpg" /></a><br />Jude (Jas Anderson) and Jill (Sameera Luqmaan-Harris)<br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.inblogs.net/images.php?image=http://photos1.blogger.com/blogger/2770/889/1600/IMG_4883.jpg"><img style="width: 320px; cursor: pointer; height: 240px" alt="" src="http://www.inblogs.net/images.php?image=http://photos1.blogger.com/blogger/2770/889/320/IMG_4883.jpg" /></a><br />Turenne, Harvey, Kyana Brindle, Luqmaan-Harris, and Anderson<br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.inblogs.net/images.php?image=http://photos1.blogger.com/blogger/2770/889/1600/IMG_4886.jpg"><img style="width: 320px; cursor: pointer; height: 240px" alt="" src="http://www.inblogs.net/images.php?image=http://photos1.blogger.com/blogger/2770/889/320/IMG_4886.jpg" /></a><br />Harvey, Brindle and Anderson<br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.inblogs.net/images.php?image=http://photos1.blogger.com/blogger/2770/889/1600/IMG_4887.jpg"><img style="width: 320px; cursor: pointer; height: 240px" alt="" src="http://www.inblogs.net/images.php?image=http://photos1.blogger.com/blogger/2770/889/320/IMG_4887.jpg" /></a><br />The cast]]></content></entry></feed>